Choral Music, September 2014


WE WILL REMEMBER THEM [E–M]: Festival service for young voices
Upper voices with keyboard
Score with CD and CD-ROM
RSCM S0152 £25.00 (affiliates £18.75)

The RSCM’s festival services for young voices are an inspiration for worship in school or church. We will remember them offers ways to remember the realities of war, to pray for those affected by war and those who have died, and to give thanks for freedom and for God’s peace and love. The music ranges from an opening ‘gathering song’ (formed from a cleverly-combined medley of First World War songs) to ‘I vow to thee my country’ (Thaxted), from the spiritual ‘Joshua fit the battle of Jericho’ to two settings of the Binyon poem which gives the service its title, one of them easy but effective by John Madden and one slightly more complicated by Mark Blatchley. ‘Silent night’ has an arrangement combining English and German text. Many choirs will find John Barnard’s anthem treatment of ‘The Servant Song’ useful on occasions beyond the context of remembrance.
The CD includes demonstration and backing tracks and the CDROM has also the readings, a photocopiable music booklet for singers, an order of service for congregation and notes on the anthems for choir trainers. Separate copies of the book will be needed for director and accompanist, but all singers’ material is included along with permission to copy.
Stephen Patterson

Anthology of anthems for remembrance
Mixed voices with and without keyboard
Novello NOV294811 £12.95

This is a useful compilation from the back catalogues of Novello and its associated companies. Some of the 14 pieces, such as Barber’s Agnus Dei, Bainton’s And I saw a new heaven, Tavener’s Funeral Ikos and Harris’s Holy is the true light, may be already in the libraries of choirs at whom it is targeted, but there are other gems, some dating back a good many years, for which this book is well worth acquiring, such as Jeremy Dale Roberts’ I heard a voice, from the 1954 Requiem by the then 20-year-old composer, and Ernest Bullock’s unison setting of Holy is the true light.
Among comparatively recent pieces are Graham Fitkin’s The Christmas Truce, John Tavener’s Exhortation and Kohima, Richard Rodney Bennett’s exquisite A Good-Night, Eric Whitacre’s Nox aurumque, Tarik O’Regan’s We remember them and Paul Mealor’s In my dreams for the Military Wives Choir (but SATB), an easier piece in a collection that is mostly far
more demanding. Elgar appears three times, with the anthem They are at rest, Ian Tracey’s arrangement of ‘We will remember them’ from Elgar’s little-known With proud thanksgiving and David Hill’s ‘Requiem aeternam’ arrangement
of Nimrod from the ‘Enigma Variations’.
Stephen Patterson

Gabriel Fauré, ed. Michael Higgins
S, Bar soli, SATB, organ
Vocal score RSCM E0291 £5.99 (affiliates £4.49)

This vocal score is intended for use with Michael Higgins’s arrangement of Fauré’s Requiem for string quintet and organ. The full score and instrumental parts are available to purchase from RSCM Music Direct (order no. E0292). A recording of this edition, performed by the Convivium Singers under Neil Ferris, is reviewed in the September 2014 edition of CMQ.
The most important point about this score is that the accompaniment is not arranged for piano, but for organ. The organ part in the vocal score is not, however, the same as the organ part in Higgins’s arrangement for strings and organ. Thus, the accompaniment in the vocal score is designed for performance by organ alone – and this is where the edition will prove particularly useful. Adapting the accompaniment for the organ is not without challenges, and different organists come up with different solutions when playing from the piano arrangements found in most vocal scores. This edition does the problem-solving for the player, making it plain which notes should be played on the pedals, for example – and at what octave. Nothing is especially difficult, though some organists may blanch at the double-pedalling called for in the first 30 bars of the Sanctus. Next time you are asked to accompany Fauré’s Requiem, do bear this arrangement in mind.
Christopher Maxim


Alan Bullard
S solo, SATB and opt. organ
Oxford 978-0-19-340204-1 £1.85
John Rutter
SATB and organ
Oxford 978-0-19-340302-4 £2.20

Partly based on a plainsong Advent hymn, Creator of the stars of night by Alan Bullard was written in honour of a soprano soloist and her Minneapolis choir. Naturally, the solo is an integral and important part of the anthem and needs an experienced and sensitive singer. The choir (unaccompanied or optionally doubled by organ) accompanies the soloist; all singers need a sure sense of intonation to do the anthem justice. Performed well, this will be most effective.
John Rutter’s new Advent carol, Christ is the morning star, was written for the choir of Clare College, Cambridge. The composer wrote the text inspired by words of the Venerable Bede. This effective and accessible anthem for four-part choir is accompanied by organ. It enhances the available Advent repertoire for choirs.
Gordon Appleton


Malcolm Archer
SATB and organ
Oxford 978-0-19-340164-8 £1.85
Bob Chilcott
SATB with divisions
Oxford 978-0-19-339867-2 £1.60
Bob Chilcott
T Solo, SATB with divisions
Oxford 978-0-19-339471-1 £2.20
Bob Chilcott
SATB with divisions
Oxford 978-0-19-339447-6 £2.20

Malcolm Archer’s setting of This Endris Night is certainly carol-like: a jovial melody in 7/8 time gives the 15th-century words a lift. The composer’s great gift for melody and accessible writing for ‘ordinary’ choirs is everywhere apparent in this jolly carol, which is an enjoyable romp for singers and good fun for the organist.
Bob Chilcott’s three carols are all unaccompanied. The shortest, The Bethlehem Star, sets words by Gerald Manley Hopkins and employs divisi soprano and bass. Gentle, sustained and meditative, it was written in memory of Alan Greaves, the Sheffield organist murdered on his way to midnight Mass.
The contemporary poet, Charles Bennett, has supplied interesting texts for Gifts for the Child of Winter and Song of the Crib. Both are unaccompanied and employ divisi in all parts, so would challenge most parish church choirs, but will be relished by the experienced choral societies to which they are dedicated.
Gordon Appleton


Unison, 2-part and SATB with and without keyboard
RSCM B0392 £9.95 (affiliates £7.46)

Choir trainers with candidates preparing for Bronze Awards will already know this book, or will very soon. But it is much more that just repertoire for the Award. I’ve used the initial Bronze Collection (now Book 1) for many years as a useful source of repertoire for the whole choir. This applies all the more to the new Bronze Collection Book 2 as, although it has just 20 pieces, they are exceptionally well chosen. The net has been cast more widely than for Book 1 by allowing in on-RSCM copyrights. So Britten’s New Year Carol, Hurford’s Litany to the Holy Spirit and Ralph Vaughan Williams’s The truth from above are among the well-loved pieces joining compositions or arrangements by David Iliff, Simon Lole, Peter Nardone, David Ogden and especially John Barnard, whose contributions include an imaginative and sensitive arrangement of the spiritual Lord, I want to be a Christian.
Martin How’s Easter Greeting has the spirit of his popular Praise, O praise rather than the gentler feeling of his pieces in Book 1. Arrangements by Martin Sirvatka of I’m a goin’ up a yonder and by Harrison Oxley of Wood’s Mater ora filium are particularly welcome. Add Bach and Mozart, Purcell and Attwood, Wood and Woodward, David Sanger and Peter Skellern – this is a richly conceived collection, enhanced by a seasonal/thematic index, training notes by John Wardle and the complete Bronze Award syllabus.
Julian Elloway

selected and edited by David Hill
SATB with and without organ
Novello NOV294393 £9.95

This is an inspired resource, with 37 pieces suitable as introits or short anthems. Some are unaccompanied, others have fairly straightforward accompaniment; most are in four parts but many have flexible voicing. They have been selected with a view to quick learning as well as musical and liturgical worth, and include interesting contemporary pieces and some less well-known 16th-century compositions. Composers born in the 1960s, 70s and 80s feature alongside pieces already published by Novello such as Richard Lloyd’s View me, Lord, Lennox Berkeley’s beautiful I sing of a maiden and Herbert Howells’s not so well-known God be in my head. John Tavener’s Mother of God, here I stand and Benjamin Britten’s Corpus Christi Carol also appear. There are pieces by cathedral and parish musicians experienced in producing effective and accessible music on limited rehearsal: Matthew Owens, Rupert Jeffcoat, Ashley Grote, James Davy, David Briggs, Martin Baker, Peter Miller and Jonathan Wikeley make significant contributions that stand alongside composers such as Tallis, Gibbons, Purcell, Bull, Tchaikovsky, Bruckner and Charles Wood.
Texts are appropriate for general use and for different church seasons and occasions. Above all, there is great variety. Through these short pieces, choirs can be introduced to a range of effective and varied styles. What a joy to find an anthem book by many composers with something new to say musically, rather than a collection of works by ‘house composers’ that often share the same style! David Hill has made an interesting and practical selection that deserves to be well used as a resource by cathedral as well as school and parish choirs.
Gordon Appleton